Jim Rooney on his new Book ‘A Different Way to Win’

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

First, tell me what drove you to write your book, A Different Way to Win?

When I started the process, my father was still with us. We were thinking of putting something together for the Harvard Business Review on his career and approach to business – how he got to the Rooney Rule and the other core elements of his career, He did such a great job balancing competency and doing what he needed to do as a leader while being respectful to those around him.

He was very involved in political causes obviously – especially as you look at the NFL today, how was he able to marry his political approach while keeping it out of the locker room and NFL?

Well, everything is blurred in this world these days, but my father did what he did because he felt a passion for it. He didn’t do those things for himself – he did them because he wanted to improve situations and conditions for folks. Throughout his career – the Rooney Rule, Ireland – he was a guy with influence but used that to help folks who had been systematically left out. And he would work with anyone – he didn’t care about the labels. As long as they would help him achieve those aims, he didn’t care.

Fairness was a driving factor for him – that’s what he cared about.

Continue reading “Jim Rooney on his new Book ‘A Different Way to Win’”

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Exclusive with Author Rob Ruck on his new book, The Tropic of Football: The Long and Perilous Journey of Samoans to the NFL

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

First, let me know what drove you to this topic Rob.

Well, I finished a couple of books in 2010 and 2011 – a co-written biography of Dan Roooney and Raceball, about players and race in baseball. I needed a new book project – for me it was like not being able to run. Something was missing.

I wanted to get out of my comfort zone. I’ve always been fascinated by micro-cultures in sports – ones that produce a disproportionate number of athletes. Like runners from Kenya, football players from Brazil… I knew there were a number of Polynesian players in the NFL and of course being from Pittsburgh I was always entranced by Troy Polamalu. His athleticism and intellectual approach to the game. And his wonderful demeanor off the field. Continue reading “Exclusive with Author Rob Ruck on his new book, The Tropic of Football: The Long and Perilous Journey of Samoans to the NFL”

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Todd Kalis, Steelers Offensive Lineman, 1994, Current President of the NFL Alumni Association’s Pittsburgh Chapter

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

First, can you let readers know what you’ve been doing with yourself since football and how you got started in the various ventures you’ve worked in?

I’ve held various sales and marketing positions since leaving the game, both at the local and national level. I also got involved with the NFL Alumni Association which is a 5013c charitable organization. I’ve been president of the Pittsburgh chapter for the past twelve years.

I also wrote a book two years ago – called Pigskin Dreams. It’s about the childhood of twenty-two NFL Hall of Fame players and who influenced the development of their character, co-written with Dr. Stephen Below. I personally conducted all the interviews and highlight twenty-two in the first book. These players were the foundation of the NFL, Ditka, Dorsett, Unitas, Butkus, Csonka, etc…Bob Costas, Art Rooney and Roger Goodell all contributed jacket quotes.

Continue reading “Todd Kalis, Steelers Offensive Lineman, 1994, Current President of the NFL Alumni Association’s Pittsburgh Chapter”

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

George Von Benko, Author, Memory Lane 2 and Sports Talk

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

George Von Benko, Author, Memory Lane 2 and Sports Talk:

You’ve been busy – with two new books – one which came out in June – Memory Lane Volume 2, and one titled Sports Talk that releases in November. Tell readers first about Memory Lane Volume 2 – what it covers and what inspired you to write the book?

Memory Lane Vol 2 follows the format of the first book Memory Lane, both books are compilations of some of my favorite Memory Lane column that I have penned for the Uniontown Herald Standard. Once again the subject matter is some of the great athletes that have come out of western Pennsylvania. Vol 2 casts a wider net, some athletes from Greene County, Washington County, Westmoreland County and Fayette County. The first book Memory Lane fared so well that I decided to do Vol 2.
 
How did you choose what interviews to include in the book out of all the interviews you’ve conducted over the years?

For Memory Lane Vol 2 I tried to cover most of the Fayette County High Schools and then branched out into the surrounding counties. For Sports Talk I used some of my talk show interviews over the years, some held up well over time and some did not. There is some very interesting sports history covered in the interviews, guys like former Pirates pitcher Harvey Haddix on the 30th anniversary of his 12 perfect innings in Milwaukee and Don Dunphy the great boxing announcer. Sport Talk is just filled with history.
 
Western Pennsylvania has had such a rich sports tradition – what from your interviews and experiences helps explain why that is?

Talking to many of the athletes about their work ethic and what drove them to succeed, for many sports was a vehicle to an education and a better life. Sports truly was a way of life in many of the small western Pennsylvania communities.
 
What are some of the common themes that tie many of these personalities and interviews together?

Work ethic and community pride are front and center in both Memory Lane books. Another factor in both Memory Lane books was the great playground culture that existed in western Pennsylvania that has disappeared to a great extent.

In the Sports Talk book we are involved in a perfect game, Super Bowls, NBA championships and many great sports events through the years. It is a great snapshot of some great athletic careers.
 
Who are some of the people that impressed you most but are less heralded/known to readers, and what makes them so impressive for you?

In Memory Lane Vol 2 I was fascinated by guys like Gene Hasson from Connellsville who played for Connie Mack and the Philadelphia Athletics. Fran Boniar who twiced batted over .400 in the minor leagues. Ace Grooms who ran out of high school eligibility in Pennsylvania, but when on to star for Ohio powerhouse Massillon High School. John Denvir who never played high school football, but went on to play college and pro football. Uniontown’s mighty 1965 WPIAL AA football champions who earned the highest numerical index ever in Dr. Roger B. Saylor’s Pennsylvania scholastic football ratings. Dick Gray who hit the first home run in Los Angeles Dodgers history, and Russ Grimm who went on to college and NFL stardom as an offensive line, but played quarterback in high school. 
 
Your Sports Talk book was written after you discovered your interviews in a closet after your father’s death in 2011. How surprised were you to find the interviews?

I was very surprised to find the interviews in a box. I thought they had been lost during several moves the family made. Dad saved them and it was a treasure trove. Some of the interviews were on old reel to reel tapes. Many survived in playable condition and some did not. It was a trip back in time for my broadcasting career.
 
The book is in the Q&A format that you used for your radio show. What led you to decide to keep that format and how does it affect the reader’s experience, do you think?

I kept the format just like I was interviewing the guest on the radio show. It was really the best way to convey the theme of the book which is Sport Talk radio. I think the reader will find it interesting and easy to follow. You can see the interview unfold.
 
You’ve done both print and radio interviews. How do the interview styles differ and which do you prefer?

I have always loved the sports talk radio format and I think I have thrived in that format. In my interviews for print I still interview to some extent just like I did on the radio, but with limited print space I then have to pick and choose the quotes I want to use in the article. Sometimes because of print word counts you wind up not using some good material.
 
What surprised you most as you went through these interviews, and how so?

What surprised me most was the sports history in the interviews, Harvey Haddix revealing the Milwaukee Braves were stealing signs throughout the game and still couldn’t hit him. Segments when Bobby Orr talked about some of the players he played against. There is some really interesting historical tidbits throughout all of the interviews.
 
Pittsburgh sports teams have often been some of the most innovative and culturally progressive – why do you suppose that is?

The city has been blessed with great athletes and great coaches and to some extent great team ownership. For example how many hockey franchises have been blessed with a Mario Lemieux and a Sidney Crosby, we truly have been very lucky.
 
Looking back on these interviews, how has Pittsburgh’s sports culture changed over the years, and has it been for the better or worse?

I mentioned it the last time that you interviewed me, the relationship between the media and the athletes has changed. It is now more like adversaries, that real came through in listening to the interviews for Sports Talk, you could notice a change through the years in doing the interviews, from the early ones in my career to the later ones. Social media has also changed things with athletes and the media. In the past you could cover up a mistake, not anymore it is front and center with instant coverage and commentary.
 
Where can readers purchase your books?

The Memory Lane books are available at all eight Bradley’s Book Outlets in western Pennsylvania. Online at Amazon.com, Barnes & Noble.com, and the Fayette County Sports Hall of Fame website: www.fayettecountysportshalloffame.com – there is a link on the right hand side of the front page.
 
Any last thoughts for readers?

Just to say that I have been very lucky to have interacted with so many sports fans on radio through the years and my column Memory Lane seems to have struck a chord with sports fans. It has been an interesting ride for me and it continues to this day.

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

What Have You Done Now, Eugene? The Story of Gene Mingo

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

FORMER DENVER BRONCO AND STEELERS GREAT FINALLY GETS TO TELL HIS STORY

Emporia, Kansas–   Football fans, and especially those who are fond of the early days of professional football, will be interested in a new book hitting the shelves this week nation-wide.  Entitled What Have You Done Now, Eugene?  The Story of Gene Mingo #21, the memoir relates the roller-coaster life and career of America’s first African-American place kicker and holder of many Denver Bronco records that have not been broken in over fifty years.

The life story of Gene Mingo was co-authored by  Gene Mingo and Glen and Carol Strickland, who have been friends with Mingo since the 1970s when they lived in Denver and developed a close friendship with Gene and his wife Sally.  They have stayed close and decided that Gene’s story is one of inspiration, success, and frustration as he fought his way through the beginnings of the American Football League after dropping out of high school and facing many personal tragedies while growing up in Akron, Ohio.

The Stricklands agreed that they wanted to help Mingo tell his story and started gathering information, doing interviews, collecting photos, and writing the narrative almost three years ago.  “It took longer than we ever imagined because of the research that was required.  We wanted to make this a book that would pay tribute to this great man but that would also tell the true story of someone who has never received the acclaim that he so richly deserves,” explains Glen Strickland.  Gene shared many stories that were very personal to him.  “I think we asked some tough questions, especially when we were writing about his downfall with drugs and his arrest.  He was very open and honest with us, and we tried to put his words into a running narrative that will engage readers of all ages,” adds Carol Strickland.

Gene Mingo observes, “It’s great to see my story in print after all these years.  I hope that my life can be an inspiration to some of today’s young people.  It would be great if they could learn from my mistakes rather than from their own.”

The book can currently be ordered online from Amazon or Barnes and Noble, as well as from the  publisher   IUniverse.  It is available in soft cover as well as hard cover.  Book signings will be scheduled in various Kansas and Colorado cities in the next few months.   The website for the book is //www.whathaveyoudonenoweugene.com/

 

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Kevin Guilfoile, Author, A Drive Into the Gap

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Kevin Guilfoile, Author, A Drive Into the Gap

First, can you let readers know what brought you to write this book and how difficult was it for you to write something so personal?

Before I became a novelist, I was a creative director at Coudal Partners, which publishes the popular Field Notes Brand memo books. When I worked there, I told lots of baseball stories, both from my father’s days as an executive with the Pirates, Yankees, and the Baseball Hall of Fame, and also from my own brief career in baseball PR (with the Bucs and the Astros).  When they decided to come out with a baseball-themed edition of Field Notes, they asked me if I would write a short essay and include some of these stories.

That seemed simple enough. But there was one story that was unfinished. It was the story of this peculiar Roberto Clemente bat that had been in my bedroom growing up in Cooperstown. For the last twenty years I had reason to believe that it–and not the bat in the Baseball Hall of Fame–might be Roberto’s real 3,000th hit bat. I decided to chase this story down and find out the truth. But the truth ended up being much wilder than I had expected, with lots of twists and turns along the way. So the essay became a book about baseball. About memory. About my father and his current struggle with Alzheimer’s. And it’s also a detective story about one of the 20th Century’s most iconic pieces of baseball memorabilia.

Parts of it were difficult to write. But somehow using baseball as a metaphor made it a little bit easier. This is a book about memory and stories. And the memories and stories I have of my father are all good.

How did you get started as a writer, and how much of a departure from your normal writing style was this book?

I’ve always wanted to be a writer. In the late 90s, while I was working with Coudal Partners, I started writing, mostly humor, for places like McSweeney’s and Modern Humorist and then later for The New Republic and Salon and The New York Times Magazine. Eventually I sold my first novel, CAST OF SHADOWS, and became a writer (and a dad) full-time.

I had written shorter investigative, non-fiction pieces (including a series on the internet about an infamous Chicago murder a few years back) but this was the first longer piece of non-fiction I’d attempted. The hardest part for me was not ascribing motives to people. When you write a novel you can invent movies for all the characters. In fact you have to. In this case, when I found out somebody did something, it was very tempting to make the leap and try to guess why they did it. I had to remind myself that I really have no idea.

And of course, this time, when I started writing I had no idea how it was going to end.

How can readers purchase the book?

You can read the first chapter and see a short film trailer for the book at //adriveintothegap.com. You can buy a physical copy either with or without a set of limited edition Day Game memo books at the Field Notes site //fieldnotesbrand.com/daygame/. You can also purchase an ebook at the Kindle and iTunes stores.

In researching and writing the book, what surprised you most about what you took away from the writing of the book?

Every day was a different surprise while I was writing it. Tracing the forgotten and hidden history of this bat was a thrill. Talking to people who knew my dad, and listening to their memories of him, was really exciting and gratifying. My sons are too young to have known my father the way the rest of us do, and hopefully this book will be a way for them to see a bit of who he really was.

How did you father become the Pirates public relations director in the 70’s, and as a child, did you appreciate the responsibility/excitement of his role?

My dad had been the assistant public relations director of the New York Yankees throughout the 1960s, and he was hired by the Pirates in 1970. It was really an exciting life for a kid. I spent practically all summer at Three Rivers Stadium. We’d move to Bradenton for spring training–I’d even go to school down there for six weeks of the year. But I don’t know if I appreciated how special it was. I just didn’t know any different. I can certainly appreciate it now.

Your father now suffers from Alzheimers. How difficult was it for you to gather some of those experience he had and how were you able to do so?

A few years ago, at the encouragement of his brother, my father began writing many of his baseball baseball stories. I didn’t even know he was doing it. His father had Alzheimer’s and he always feared that it would happen to him, so I think at least part of the reason was to save those stories for a time when he was no longer able to tell them.

What about the game of baseball do you think makes it most unique from other sports, and what about it helped being you and your father closer together?

I always had a close relationship with my parents, but we all go through those periods as a teenager where we are embarrassed by our dependence on them and want to distance ourselves. And so there were a couple of years there where I’m sure I was a rude little punk. Even so, baseball was something Dad and I could always talk about. Even now some of the times I feel the saddest about my father’s condition is when something happens in baseball–a perfect game or a change in the rules or a winning streak by the Pirates or this summer when Ron Santo was inducted into the Hall of Fame (my father grew up a Cubs fan in Wisconsin) and my instinct is to call him and talk about it but then I remember that he can’t really have that conversation any more.

I have been to hundreds and hundreds and hundreds of Major League Baseball games. My father has been to thousands. But because he was always working in the press box (or I was) I think I’ve only been to four where I sat with my father. There was a Milwaukee Brewers game when I was in, like, first grade. Games Three and Four of the 1986 World Series at Fenway. And Game One of the 1993 ALCS between the White Sox and Blue Jays at Comiskey.

Quality instead of quantity, I guess. And I remember all of them vividly.

Who were some of the players you remember most from those days – especially through your father’s comments and writings – and what about them made them so memorable to your father and you?

There was no one my father admired more than Roberto. We actually had an oil painting of Clemente hanging over the television in our living room. Dad was very close to Mantle, as well, even though personality wise they couldn’t have been farther apart. He loved Bob Prince. He loved being around the game. He loved that you went to work and you won or lost every day. He loved the outsized characters. He loved the pranks and practical jokes, which are a constant threat around the ballpark. He had great friends in the clubhouse and in the press box.

How do you – and do you think your father – see the game as having changed since your father’s time with the Pirates? And is it for the better?

I think one of the great things about baseball is that, apart from the money and the microscopic scrutiny from 24 hour sports radio and television- it really hasn’t changed that much. I like football and basketball, but the games they play today are entirely different from the ones played by Dick Butkus and Jerry West. DiMaggio would need to get up to speed with today’s conditioning, for sure. But he’d know exactly how to play the game

There was a steroid era, just as there was once a Dead Ball era, but the game abides.

Is the game better? It’s easy to get nostalgic, but I think it is. Think about this: On September 30, 1972, Roberto was sitting on 2,999 hits. It was a Saturday. The weather was fine. The Pirates were the defending World Series champions. They were in first place and headed for the playoffs. Possibly the biggest star in a century of Pirates baseball was about to do something that only 10 people in the history of the game had ever done. But the game wasn’t on TV and barely 13,000 fans came to watch it in a stadium that held more than four times that.

That would never happen today. Never. PNC Park would be packed. Tickets would sell online for thousands of dollars.

Maybe that makes the fans better, but same difference. The game is better because the fans say it is.

Has the sport gotten too mired in statistics and numbers, in your opinion?

I like the statistics. I like the math. I like that you can try to come up with a formula that let’s you imagine what would happen if Roger Clemens faced Honus Wagner. Most of all, I like that you can argue about it all to no end.

You see the team today and it’s back in the playoff hunt. How much is your father aware of the success of this year’s team, and what do you think your father would say about the makeup of the team and organization in general right now?

If you ask him if he’s been following it he’ll say he has, but I know there’s no way that’s true. He can’t really follow a baseball game anymore. He’d love watching McCutchen, obviously. What would he say about the organization? I don’t know. But I know if he thought anything negative he wouldn’t say anything about it to you. Or to anyone else publicly. He was a front office man through and through.

What’s next for you in your writing career?

I’m working on my third novel, which is currently titled NEVERMORE. I hope to finish it later this year.

Any last thoughts for readers?

I was lucky enough to live in Pittsburgh during one of the golden eras of Pirates baseball. Then I left in 1979 and after that it was not so good for awhile. In 1992 I was working for the Houston Astros. Larry Dierker (then an Astros broadcaster and soon to be an Astros manager) knew I was a Pirates fan, so he asked me over to his house to help him set up his new Macintosh computer and watch Game 7 of the NLCS between the Pirates and Braves. And so, like most Pirates fans over 30, I have that indelible memory of where I was–sitting on Larry Dierker’s couch–when Sid Bream, once one of our own, came chugging around third, long arms furiously pumping, to beat Barry Bonds’ throw, sending the Braves to the World Series and the Bucs into a two decade funk.

I’m really loving this season. And, with fingers crossed, I’m terrifically happy for Pittsburgh.

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Kevin Cook, Author, The Last Headbangers: NFL Football in the Rowdy, Reckless ’70s—The Era that Created Modern Sports

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Kevin Cook, Author, The Last Headbangers: NFL Football in the Rowdy, Reckless ’70s—The Era that Created Modern Sports:

First, can you let readers know how and why you decided to take on this subject and how you started doing so?

I was a tyke in 1967, watching the first Super Bowl on a little black-and-white TV. I grew up watching the early Monday Night Football and the great teams of the ’70s. After writing three books that were largely about golf, I wanted to write about the number-one sport.

It’s easy to forget that pro football didn’t always dominate the sports landscape the way it does today. It was a process—an evolution that’s really fascinating, full of epic games, crazy plays and vivid characters.

What makes the book unique in its coverage of those 70’s teams?

I think Headbangers is the first to suggest that the NFL took on its modern form in the ten-year period between the sport’s most famous plays: the Immaculate Reception and The Catch. Back in ’72, rookie Franco Harris actually hitchhiked to practice. Terry Bradshaw sold used cars in the off-season. Andy Russell and Ray Mansfield carpooled to work to save on gas that cost 55 cents a gallon. Monday Night Football was new—an experiment that only last-place ABC was willing to try.

By the time Dwight Clark snagged Joe Montana’s pass in 1982, the NFL was America’s dominant sport. Thanks mostly to TV, teams were getting rich and players were making ten times what guys earned a decade before. Rules changes favoring the passing game helped Bill Walsh’s 49ers usher in a more efficient, scripted style of play—the modern, corporate, huge-money NFL we watch today.

How did you research the book and what surprised you most as you did so?

I watched a bunch of grainy ’70s games, read everything I could find on the subject, and then started phoning ’70s players, coaches and broadcasters. What surprised me was that the vast majority of those players went on to other careers. They were the last NFL generation that wasn’t set for life by virtue of playing pro football. Some have struggled financially as well as physically. And then there’s Thomas “Hollywood” Henderson, who screwed up his career by abusing drugs, and then won $28 million in the Texas state lottery.

How can readers purchase the book?

It’s at Amazon.com as well as Barnes & Noble, independent booksellers and the bookstore near you.

Were some players reluctant to discuss their experiences with you? Why/why not, do you think?

Most were eager to share their memories. I expected Henderson, for instance, to be tight-lipped about drugs, but he told about hiding liquid cocaine in his uniform during the Super Bowl. I expected Roger Staubach to be a stiff, but he was one of the most candid, interesting interviews I had in more than a year of working on the book. Talking to Staubach could almost make you root for the Cowboys…I say almost.

How do the players you spoke with look at the way the game is being played today? What were their thoughts on today’s rules regarding hits and the way today’s players handle themselves – both on and off the field?

Most of them think today’s players are spoiled. They hate seeing preening, prancing me-first guys do touchdown dances on TV. And they think the rules have changed so much that quarterbacks aren’t really football players anymore—QBs are more like kickers, playing a specialized, protected position. Or ballerinas. But don’t quote me—I don’t want Jay Cutler kicking me with his toe shoes.

Concussions and head trauma and the issues many former players deal with as a result of those injuries are a big topic today How did you find the players you spoke with on those issues. Angry at the NFL, accepting of them as a game risk…? 

I think they’re scared. Worried. But while many ex-players are suing the NFL, others shrug and say they knew the game was risky. I’m hoping The Last Headbangers leads more fans to support former players who risked their futures to help build the game. The NFL and the NFLPA are starting to recognize the debt they owe the Headbangers generation, but haven’t done nearly enough.

How in your opinion does/can the NFL successfully manage the need to keep a certain level of “old school” physicality in the game for fans while better protecting players today?

I think it’s crazy when people talk about banning NFL football. Twenty or so years ago we began hearing about Dementia pugilistica, the brain damage boxers suffered from getting concussed. But we didn’t ban boxing. I applaud the NFL’s efforts to deal with players’ health issues. The next step is twofold: The league needs to put more of its wealth into pensions and medical care for former players; and it needs to keep improving concussion detection.

If a player shows concussion symptoms, team doctors need to keep him off the field. For years, players were expected to “shake it off” and stay in the game. That decision—in the NFL as well as in college, high school and every other level of football—must be taken away from players, so they don’t feel pressured to say, “I’m fine.”

Who were some of the biggest characters of the headbanger days and what made them so? Any examples?

The ’70s was the most colorful time in NFL history. Mean Joe, Franco, Bradshaw, Jack Lambert, Lynn Swann (who never got enough credit for his toughness), Stallworth, Vietnam hero Rocky Bleier, Frenchy, Ham, Blount, Webster, Fats Holmes, Greenwood, White, Gerela—and that’s just the Steelers! You’ve also got O.J. Simpson slashing downfield, and the crazed Raiders and glitzy Cowboys. I can’t imagine any time in any sport that ever had a better cast of characters.

In your discussions with former players, how much did they discuss the difficulties ex players have on adjusting to post-NFL life, and what’s you find separates those that struggled to do so from those that did not? 

That’s a mystery. It’s clear that one or two bad concussions make you more likely to suffer more in the future. But why are some people more prone to concussions, while others are resistant? Raiders linebacker Phil Villapiano used to bang his head on a cement wall before games. Villapiano had a bunch of concussions, but 40 years later he’s as lucid and healthy as can be, while plenty of guys he played with suffered far greater damage. Some were senile at 50. Others died before they turned 50.

I think the next frontier in sports science is discovering why some of us are more prone to concussions that others.

Without revealing too much, what players and stories were the most powerful, from your perspective. And why?

I really enjoyed talking with Franco Harris, who turned out to be as thoughtful and sharp as I expected. But his old rival Villapiano was my favorite: a great conversation, funny and profane. And Phil provided an important, powerful end to the book, because he’s got a son, Mike, who plays football. Quarterback Mike Villapiano led his team to the New Jersey high school state championship. Mike and his dad talked about what he should do if he “got his bell rung.” They agreed that Mike shouldn’t tell anybody. He wasn’t going to get a Division I scholarship sitting on the bench; he had to stay on the field.

Were they right? Were they risking Mike’s future for a shot at a scholarship? I think they were right, because Mike’s goal is to find out how far he can go in football, and that can’t happen unless he stays on the field. But I could be wrong…

What’s next for you?

Two movie producers are working on films of my previous books, Titanic Thompson and Tommy’s Honor. Here’s hoping somebody wants to make a movie of The Last Headbangers. Other than Jim Caviezel as Staubach, I’m open to casting suggestions.

Any last thoughts for readers?

I hope they’ll buy the book rather than just reading excerpts online. We authors gotta make a living! I spent almost two years of my life on Headbangers…but it’s bigger than me.

I hope the book brings a great NFL era back to life for a new generation of fans.

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Mark Mravic, Author, “Pittsburgh Steelers: Pride in Black and Gold”

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Mark Mravic:

First, can you let readers know how and why you decided to write “Pittsburgh Steelers: Pride in Black and Gold’ and how you started doing so?

With this being the 80th season of Steelers football, we thought it would be a good time to look back at the history of the franchise, what it’s meant to the city and the NFL, and the great personalities and games for which it’s known.

What makes the book unique in its coverage of the Steelers?

What we’ve done is separate the book into three sections: The Pride, Players and the Prize. The first examines the team’s unique bond with the city, from the early struggles through the great Super Bowl teams, embodied in the continuous ownership by the Rooney family and the smart choices the team has made to maintain stability, beginning with the hiring of Chuck Noll. We went back and found relevant stories from the pages of SI, and here we reprinted Myron Cope’s great history of the Terrible Towel to accompany some historical photographs.

Then we grouped together some of the great players who’ve worn the Steelers uniform through the years, from Ernie Stautner and Jack Butler through the Steel Curtain teams to the Tomlin and Roethlisberger years, with accompanying text and excerpted stories on each one.

The third section reprints each of Sports Illustrated’s game stories from the six Super Bowl victories.

The real distinction of the book, apart from revisited some of SI’s great sportswriting on the Steelers, is that we went deep into the photo archives for a lot of pictures that have never before been published, and many that haven’t even been seen by anyone in decades. There’s a great untapped store of sports photography there—when SI shoots a football game, maybe a half-dozen or so shots end up in the magazine that week. But the photographers have shot literally hundreds of pictures (and with digital cameras now, thousands). When we are putting the weekly magazine together, that number gets winnowed by the photo editors to maybe 100 that the editors then sort through to make their selection based on the subject of that week’s story. The rest get stored away.

So going back through all of that stuff, from old pictures of the Steel Curtain defense to outtakes from those Super Bowls, was just a phenomenal experience.
 
How can readers purchase the book?

There are actually two versions: a large hardcover coffee table book and a smaller-format softcover. The former can be ordered online through Barnes & Noble’s website and Amazon.com. The latter are on newsstands and in some Pittsburgh-area supermarkets like Giant Eagle and other stores. 
 
How did your role as the Assistant Managing Editor at Sports Illustrated make your job easier or harder as you researched and wrote the book?

Well, I’m AME but also oversee the NFL beat, so I’m very familiar with our Steelers coverage through the years. As AME I also had the authority to make the final call on the format, the particular story selections and picture choices.

As a Pittsburgh native/Steelers fan, how difficult was it for you to stay unbiased in our coverage?

It’s not particularly difficult—I think I’m able to compartmentalize my fandom and guide our football coverage objectively based on what I think the Sports Illustrated reader would like. I won’t deny that I get a special thrill working on Steelers stories (and this book was a kid-in-the-candy store experience), but professionally I’ve treated the Steelers like any other NFL team. (Everyone at Sports Illustrated grew up a fan of some team; you wouldn’t be in the business if you didn’t have that background.)

The Steelers have been good for so long that we do cover them more than some other teams, but when it’s time to be critical we have not pulled any punches. Our cover story on the Roethlisberger scandal from a few years back was very harsh but authoritative—we went after that story with all of our resources and no hesitation.

What surprised you most as you researched and wrote the book – and why?

Outside of discovering that treasure trove of photography, I did learn about players I was not familiar with from the pre-Super Bowl days, particularly Jack Butler and Elbie Nickel. It was great to learn more about the history of those old teams and those great players.
 
Concussions and head trauma and the issues many former players deal with as a result of those injuries are a big topic today. How do you find the players you speak with to be on those issues. Angry at the NFL, accepting of them as a game risk…?

It’s really a mix. A lot of old players accept the physical toll—the bad knees, bad backs, etc., as something they were prepared to deal with. But we’re learning more about the potential psychological toll—depression, memory loss, dementia—and there is a lot of unhappiness and fear. You’ve got nearly 3,000 former players suing the league. It’s a huge issue.

And now I think some active players are beginning to think seriously about the repurcussions of their profession. They’re less willing to just “shake it off and get back in” when they’ve suffered a head injury, and more generally you’re beginning to hear some players say they would be concerned to let their children play football.

The Steelers have always embodied that physical nature of the sport. How in your opinion does/can the NFL successfully manage the need to keep a certain level of “old school” physicality in the game while better protecting players today?

The various rules changes and punishments the league is instituting have made a difference (it’s one reason why offenses are so much more prolific these days). Hard hits are always going to be part of the game, though, and even clean hits can cause serious injury (as when a player’s head slams the turf when he’s tackled). Players have been brought up in a culture that rewards and celebrates those hard hits, and I don’t really see that changing.

What needs to happen, as much as possible, is for coaches at all levels, beginning in peewee football, to teach proper tackling and blocking fundamentals and downplay the macho celebration of that physicality.
 
Who were some of the biggest characters on the Steelers teams and what made them so? Any examples?

So many of those guys from the ’70s era were characters, from Bradshaw and Harris and Lambert to Ernie Holmes and Frenchy Fuqua. They were also so much more approachable that today’s player—there weren’t 10 layers of PR between the media, the fans and the teams, or a uniform image that the league was trying to project. You still get that occasionally with players—Hines Ward comes to mind as a guy who was very up front with the media and always willing to speak his mind.

In your discussions with players over the years, how much did they discuss the difficulties players have on adjusting to post-NFL life, and what do you find separates those that struggled to do so from those that did not?

You just never know who may or may not struggle post-career. Some players are very smart with their money and in their personal lives others are not; that’s a big factor obviously in the adjustment to a career beyond football. But in terms of the physical struggle, it’s very hard to explain why a guy like former Bears quarterback Jim McMahon is apparently suffering the effects of the hits he took as a player while Terry Bradshaw, who took plenty of knocks of his own and has admitted to suffering multiple concussions, seems pretty much unaffected.

Most people are familiar with the unusual number of untimely deaths among former Steelers players, from Mike Webster to Justin Strzelczyk to Terry Long. Those old Steelers teams have been linked to steroid use—Steve Courson was the first really outspoken anti-steroid crusader—and while as far as I know there’s not a clear scientific link between steroid use and emotional or psychological difficulty, it’s hard not to think that the way some guys push their bodies, either within the rules or outside of them, can have a serious effect on their overall emotional health.

Without revealing too much, what players and stories were the most powerful, from your perspective. And why?
 
I really enjoyed revisiting all six of those Super Bowl stories—the first four because I was a young fan during at the time and remember eagerly awaiting my SI to read about the victories, and the last two because I personally edited those stories and had the strange experience of having my fandom and my professional life come together so perfectly. And I thought about the new generation of Steelers fans who may be experiencing what I felt as a kid back in the ’70s. In seventh grade I made a poster in art class of the SI cover with Swann’s amazing diving catch from Super Bowl X.

Now I’m working for that very magazine, hopefully making some other young fan happy about his team and his heroes in the same way.

Any last thoughts for readers?

I hope everyone enjoys the book. It was a real pleasure to work on, and hope some of that comes through.

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Stewart O’Nan, Author

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Stewart O’Nan:

First, can you let readers now about your latest projects – what should we be looking out for from you next?

I’ve just started a historical novel set in L.A. in the late ’30s.  It involves historical figures, so the research is involved (and fascinating).  I’m hoping to have a draft done late next year.

You didn’t start off as a writer. What made you decide to transition from a test engineer for an aerospace company to full-time writer, and how nervous were you about making that kind of commitment to writing?

I’ve always been a big reader, and in my mid-twenties I just started writing short stories after work.  Some of them were published in literary magazines, and a few won prizes.  My wife encouraged me to pursue writing fulltime, since I was spending all of my free hours doing it anyway.

With her support, I went back to Cornell and got an MFA.  I wrote four books in three years up there, and one of them was Snow Angels.

Much of what you write – from Emily, Alone, Last Night at the Lobster and the Missing to The Odds: A Love Story – focus at the core on the middle class and middle class struggles. Do you think Pittsburgh represents the spirit and hardships you write about and vice versa- and is that a reason why you chose to live in the city?

Growing up in Pittsburgh in the ’70s, I was very aware of what a bad economy does to people–the fears they have and the choices they have to make–so it’s no surprise that I often write about the downwardly mobile middle class. My wife and I promised each other that when our kids were done with high school, we’d move back to a city.  We looked at Boston, where we’d lived in the ’80s, but it was insanely expensive, and my whole family’s still in Pittsburgh, so it was an easy decision.

Best move we ever made.

What are your thoughts on the Pittsburgh writing community – is there enough support for local writers? How can it better support local writers?

I’m still new to this version of Pittsburgh, and since we’ve moved back I’ve spent way too much time on the road, but I’m amazed at how many writing communities there are in Pittsburgh.  Between the library, the universities, the Drue Heinz Lectures, Sampsonia Way, Braddock Ave. Books–there’s a lot going on.

Maybe more residencies?

Many of your books involve missing persons and violence – and a bit of the macabre. Why choose those vehicles in your stories – especially missing persons – across so many of your novels?

It’s universal.  As humans, we’re going to lose everyone close to us.  Our parents will die, our lovers will die, with any luck we’ll die before our children.  So there’s always going to be someone missing, there’s always going to be a loss we can’t recoup.

The violence in the early books comes out of characters in extreme situations not having the faith (or resources) to go on after these losses.  The later books are more about endurance–how, even though we miss people we wish were there for us, we find ways to get from day to day.

How has sports influenced you and your writing?

As a Pirates and Red Sox fan, I’ve learned that the good times don’t last forever, but neither do the bad ones.  As Terry Francona says:  “Don’t get too high, don’t get too low.”

You are a self-professed Pirates fan despite writing about the Red Sox in your book Faithful that you co-wrote with Stephen King. How did you come to be a Pirates fan and are you allowing yourself to become optimistic about the team yet?

My Grandmother O’Nan was a big Pirates fan.  She listened to them on the radio.  And my older brother and his friends were ballplayers and big Bucs fans.  Like the library, Forbes Field was less than a mile from our house, so we’d take the bus there.  My grandmother made sure we had tickets for the first game in Three Rivers.

I’m allowing myself to be optimistic about the Pirates for no other reason than they win when I go to the ballpark.  Their home record is excellent this year, but even back in our 105-loss 2010 season, they were 20-10 at PNC when I was there.

This year I’ve got two 20-game plans plus some stray singles, so I’ll be there more than not.  Let’s Go Bucs!

Have you had a chance to meet any of the Pirates players or front office staff? If so, what was that experience like for you?

I met Cutch and Walker in ’07 when they were with the Altoona Curve.  I was living up in Hartford, and went to see them when they came to New Britain.  I was more tuned into the minors then.

Also saw Cutch at Piratefest this year and asked him what his favorite book was.  I kind of ambushed him with the question (it was live radio) but he picked a good one:  Lord of the Flies.  The guy’s a six-tool player:  for such a young man, he carries the mantle of the franchise with amazing ease.

If you could be GM of the Pirates for a day, you would ….?

Give Clint Hurdle an extension.

Do you think Pittsburgh relies too much on sports to define itself? Why/why not?

I think it was necessary back in the day, when we were defensive about what was happening to us economically (and culturally).  In the world’s (and some of our) eyes, they were the only thing major league about the city.  Now we’ve got lots of reasons to be proud, but–especially when we’re far from home–the Stillers, Pens and Bucs still bring us together.

What’s surprised you the most over the course of your writing career, and why?

The radical changes in publishing and bookselling.  I’ve been publishing for only twenty years, but I’ve seen the rise of the big box stores and the decline of the independents, the German takeover and consolidation of the major houses, the beginning of Amazon, Oprahmania, three or four attempts at launching a viable e-book reader (remember Rocketbook?), Harry Potter and the YA craze, the death of the big box stores, the hardball marketing of the Nook & Kindle, the battle of the independents to keep going  . . .

And I thought aerospace was a volatile business.

Any last thoughts for readers?

Please support your public library.  And thank you for reading.

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Lee Gutkind, Author, The Best Seat in Baseball & Almost Human: Making Robots Think

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail

Lee Gutkind, Author

First, what is the “creative nonfiction movement” and how did you come lead the writing community in this method for storytelling?

The movement is simply about taking information and turning it into a compelling story without changing the meaning or facts.

We try to communicate information in as compelling a way as possible so people who would not be interested normally would be. People care about real people and their stories.

You see magazines and newspapers doing this more. We’re seeing a heckuva lot more narrative as people learn more through storytelling. Now there’s a storytelling explosion. I got a big science foundation grant to teach storytelling to science policy wonks. teaching policy is important but difficult to communicate to people.

The world needs to learn a lot more. The common every day person needs to understand more of what’s happening in the world as it’s much more complicated with new sciences and technologies.

Your book, Almost Human: Making Robots Think, documents CMU students and faculty over six years as they designed and built robots. What inspired you to cover this subject and what were some of the biggest lessons you learned?

The only thing the world seems to know about robots is that they are cute and are taking over the world and taking away jobs. Is that true? I wanted to see, so I picked Carnegie Mellon’s Robotic Institute to study it. It’s the world’s largest robotic academic institute.

In creative non-fiction, you immerse yourself for long periods of time in the milieu and then write on that. So, I walked from Shadyside to CMU and hung out with them for a half-dozen years, trying to develop stories versus just information on robots. That’s what creative non-fiction writers do.

What did you learn from your experience?

That robots taking over the world is only half-true. They are incredibly important but not nearly reliable as we think. They are too unpredictable at the moment to give the world away to them. Maybe in fifty to a hundred years we’ll be able to trust these robots to do what we want them to do.

By then, we’ll have had time to think about what we really want them to do! Now, they are killing people in Afghanistan and being used as security guards. Is that what we really want them to do?

The other thing that interested me is that the robotics world is a very young world. I originally thought of these grey-haired ex-hippies. But the fact is, the senior scientists are the supervisors and raising money. The real geniuses are the students writing the code. They are kids doing the essential work to make robots think.

Just like when computers first took off. They were children in Silicon Valley – Steve Jobs was under twenty-one.

You’ve crossed so many different genres and topics – from motorcycle subculture and robots to organ transplants and baseball umpires. What is your approach to learning something so diverse and foreign each time you look to write a new book?

The whole joy is immersing myself in the subject. I love writing, but what a challenge to pick a subject you know nothing about and walk in to a situation just like the everyday reader does. I involve myself for long periods of time. The big challenge is to get people to trust you and believe in what you’re doing.

You then have to take what you learn and find a real story – not one you make up – to relate the information.

How has sports influenced you and your writing, and do you follow any of the local sports teams?

I had a deep interest in baseball, but soured against it after writing my book The Best Seat in Baseball and getting such flack on it. It took a while to get back into it.

90% of the book is totally pro-umpire covering all kinds of information and challenges they had. Nobody’s perfect though and there was stuff that was critical too. I just showed people they way they are. And they went bananas.

I immersed myself with one crew of National League umpire – Hall of Famer Doug Harvey, Harry Wendelstedt, Pelosi and Art Williams. Williams was very important in the world of baseball – he was the first Black umpire in the National League. He only had two years of experience before that. The American league brought a Black umpire in the year before and the National League felt threatened so they brought him up to the major leagues. after only two seasons.

He had a difficult time – they paired him with Harvey and Wendelstedt to take care of him. They weren’t smart from a racial perspective. They focused on the race card and that made his life miserable. He lasted only one season then they let him go. He later sued for racism. He was a hero, but Harvey and Wendelstedt didn’t like the way I wrote about them.

Does Pittsburgh rely too much on sports to define itself?

How else does Pittsburgh define itself?

Come on! Steeler nation is everywhere. It’s all about the Steelers – everything I read was about Ben Roethlisberger and concern about the team. The place is crazy in it’s worrying about the Steelers. The Rooneys are wonderful and have done a lot for the city.

But….CMU is one of the most important places for science and technology in the world. The University of Pittsburgh too – without them, there’d be no Google. That’s what we need to focus on. The accomplishments of what we do besides football. There’s a lot besides the Steelers – not that the Steelers are terrible.

In talking with students looking to attend CMU, the single drawback of the city was that there was little else to do there. No movie houses and cafes – we don’t have that here, and that’s the shame to me. It has incredible potential – with fascinating people. But they are not brought together in any significant way like you see in Portland or Seattle.

People don’t move here because of the Steelers. They move here because of the schools….to study medicine…

How has the city shaped who you are and the way you’ve approached your writing style?

It’s great place to write. It’s a quiet place and the people are cooperative. They are interested in what you do and feel it’s ok to be different. I like the down-home, comfortable atmosphere. There’s not a big night life, but that’s nice for a writer.

The writing community is disappointing. We have MFA programs for writing at Carlow College, Chatham and University of Pittsburgh as well as an undergraduate program at CMU. They are all in walking distance of one another, but they never cooperate. There’s no connection. The Robert Morris and Drew Hines writer series are not shared with the city. High school kids can’t afford twenty-five dollars to come see them.

What’s surprised you the most over the course of your writing career, and why?

How much people want t be written about. The more we sit in our offices and email, the more isolated we are. When we get out in the world, people open up. It’s delightful to immerse yourself with people who want to talk about themselves.

On the other hand, the downside is people are not buying books. It’s frustrating.

The publishing industry is changing due to new technologies and the web. How do you plan to adapt your content and writing, taking into account these new technologies?

Well, I edit a magazine – it’s been around now for over twenty years. We started a book imprint and we’re doing well with the e-books. I’m trying really hard to adjust to this new world and understand it. I’m trying to figure out how to being the product to market. I’m learning you can’t sell books through tv and tours – you have to hammer away at your niche market. That’s how you do it. I want to stay in the game and I started when the game was entirely different.

Your writing success has garnered you a good deal of media attention – both in print and on other venues like the Daily Show, the BBC and NPR. Do you worry about “staying grounded” as you realize more success?

The truth is, nobody pays attention to me. From my point of view, nobody knows I was on Good Morning America or the Daily Show. I was really happy to have those experiences – it was like immersing myself when I write. The Daily Show I was on won an Emmy!  It stunned me, seeing a clip of me on national tv!

I feel good – I feel I accomplished a lot. If anyone reads my books and mentions it to me, that feels good.

What’s next for you?

I don’t know! I no longer work at the University of Pittsburgh. I’m at Arizona State University and travel a great deal for the university and my books. I want to keep doing that.

I’m focusing now on My latest book – You Can’t Make This Stuff Up. It’s my last book on writing – I’m putting all I know about writing in this book – it comes out in August.

I’ll spend my time telling people about the book then will find another book project. I usually have a couple of projects in hand before I complete the current one, but I intentionally did not do that this time. I am stopping am thinking more than before about what I do next.

I’ve gotten interested in hockey recently after reading about concussions and Sydney Crosby. I’m also getting interested in golf – I just hit a hole in one – even though I’m a terrible golfer. I find it satisfying – I love how you have to focus so deeply on writing  -and golf is similar. The focus of the sport is similar. Maybe I’ll write a book about how golf and writing are the same.

As Arnold Palmer said, golf is 90% mental. It’s not physical. That’s what I care about and would make it fun to write about.

FacebooktwitterreddittumblrmailFacebooktwitterreddittumblrmail